Folio I · Inventory of practice

What the studio does, openly —
and what it won't.

A short working catalogue. Things I'll draw, write or compose — paired with a list of polite refusals. The decisions still happen over coffee, not on a slide.

Folio II · Working Note Studio · Prague · MMXXVI

A note on how the studio works

— A working note, not a manifesto.

Designing a brand is not chasing trends. It is the long argument before the work — the part where the uncomfortable brief becomes the real one. A studio of one set of hands, working slowly, on purpose, with a small number of clients per year and a quiet preference for projects that will outlive their first season.

— ends folio ii —
Folio III · A short manifest Ten lines · no fence-sitting

The work,
marked openly.

Ten lines. No fence-sitting. The work this studio takes on — and the work it refuses, plainly.

  1. 01 Will

    design a label the most discerning aunt won't be ashamed of.

  2. 02 Won't

    redesign a logo every six months.

  3. 03 Will

    argue back on a brief before drawing a line.

  4. 04 Won't

    add stock music and call it scoring.

  5. 05 Will

    call your printer before quoting.

  6. 06 Won't

    work from a PowerPoint brief alone.

  7. 07 Will

    document the decisions, not just the outcomes.

  8. 08 Won't

    render five variations to see what works.

  9. 09 Will

    compose an original score, only when the room insists.

  10. 10 Won't

    take more than four projects a year.

— ends folio iii —
Folio III½ · The studio, in one shot i. composed
Ivan Zadrabaj, in the studio, beside the upright piano.
Ivan Zadrabaj, in the studio.
Folio V · Materials Inventory Studio · MMXXVI

What the studio is made of,
in six items.

An honest cross-section of the daily tools — sketched, not staged. Stand-ins for the longer answer to "what kind of studio is this".

  1. Item 01

    Notebook — Moleskine, large soft

    Filled at a rate the projects can't quite match. Reads like a graveyard of decent first lines.

  2. FABER · B
    Item 02

    Pencil — Faber-Castell, B

    Preferred to ink, while it's still possible to take it back. Decisions get harder when you commit early.

  3. Item 03

    Risograph — two colours, off by a hair

    What looks like a printer error is usually the printer being honest. The studio prints small editions when the brief allows.

  4. Aa CAP X BSL SWITZER · LIGHT 300 · −4%
    Item 04

    Type — Switzer Light, 300

    Neutral, direct, low theatre. The studio's voice without the studio's accent. Letter-spacing kept tight, weight kept honest.

  5. C YAMAHA U1 · upright
    Item 05

    Piano — Yamaha U1, upright

    No quiet hours. The neighbours upstairs disagree; the work continues anyway. Half of every score begins as a single chord, repeated.

  6. III — the third one
    Item 06

    Coffee — the third one

    Where the real brief tends to appear, after the polite one has been written down and quietly retired. A studio constant, not a metaphor.

— ends folio v —
Folio VI · Sign-off — ends here —

Start a brief

A small studio,
working slowly,
on purpose.

Start a brief

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